Let's Talk Lighting!
    Ashwamedha × Alya

    The Future of Lighting Design

    For years we designed lighting across residences, hospitality destinations, commercial environments, landscapes and facades.

    With every project we discovered the same challenge.

    • Too much repetitive work.
    • Too much fragmented information.
    • Too many disconnected tools.
    The Problem

    The problem we couldn't ignore

    The industry spends enormous effort repeating work. The same drawings, the same calculations, the same decks rebuilt project after project, often by hand.

    Drawings

    Layouts redrawn for every project, often from scratch, even when the underlying logic repeats.

    Calculations

    Lux, UGR and uniformity checks rebuilt manually in DIALux, project after project.

    Presentations

    Concept decks reformatted for each client when the design language is largely consistent.

    BOQs

    Fixture schedules and quantities assembled by hand from scattered spreadsheets and PDFs.

    Specifications

    Technical specs copied between projects with small variations that should be parameters, not edits.

    Coordination

    Architects, MEP consultants, vendors and site teams aligned through email threads instead of shared structure.

    Revisions

    Late-stage changes ripple through drawings, calculations and BOQs because the documents are not connected.

    Our Response

    We started building internal systems

    Quietly, between projects, we began turning the repeating parts of our work into structure. These systems improved consistency and efficiency across every typology we work in.

    Templates

    A library of typology-specific drawing sets, calculation sheets and presentation formats refined across years of projects.

    Automation

    Repetitive steps in documentation, BOQs and submissions replaced with structured, parameter-driven workflows.

    Knowledge Systems

    Lux benchmarks, fixture behaviour, mounting heights and detailing decisions captured as reusable design knowledge.

    Simulation Workflows

    Standardised DIALux models, false-colour outputs and UGR studies, so every project is validated the same way.

    Decision Frameworks

    Structured ways to choose CCT, CRI, beam angles and control strategies, grounded in evidence rather than intuition.

    Project Intelligence

    A connected view of how decisions on one project inform the next, so the practice keeps learning.

    From Practice to Platform

    Those systems became Alya

    Alya is lighting intelligence. Built by practitioners. Created from real projects.

    It did not start as a software idea. It started as the answer to a question we kept asking ourselves on every project: why are we redoing this?

    What began as templates and calculation libraries grew into a platform that captures how lighting decisions are actually made, and makes that thinking available to other designers.

    What Changes Next

    A different way of working

    When the repetitive layer of lighting design becomes structured, the creative layer has more room to breathe.

    Better workflows

    Documentation, calculations and BOQs that stay in sync as the design evolves.

    Faster decisions

    Lux targets, fixture options and beam angles surfaced when the question is actually being asked.

    Higher quality

    Every project benefits from the cumulative learning of every project that came before it.

    More accessible expertise

    Smaller studios and individual designers can work with the rigour of a fully resourced practice.

    Human creativity, amplified

    Designers spend more time on intent and atmosphere, less on repetitive production work.

    A Note On Priorities

    The work still comes first

    Technology supports design. Technology does not replace design.

    Architecture remains the starting point of every project we take on.

    People remain the centre of every decision we make about a space.

    Alya exists to make the practice of lighting design better. The practice itself, the rooms, the facades, the gardens, the guests, is still the reason any of this matters.